Episode 27
April 1, 2020
The Decameron
Hosted by Chris Piuma and Suzanne Conklin Akbari
“Let us therefore do as I suggest… We can move from place to place, spending one day here and another there, pursuing whatever pleasures and entertainment the present times will afford. In this way of life we shall continue until such time as we discover (provided we are spared from early death) the end decreed by heaven for these terrible events.”
It’s 1348, and plague has broken out in Florence. Ten affluent people decide to escape the city for a bit, and over the course of two weeks they travel from one villa to another, trying to have a nice time of it. Amongst the singing, dancing, and feasting, every day includes a round of story-telling. Ten storytellers, ten days of storytelling: The Decameron of Giovanni Boccaccio is a collection of one hundred stories told by people trying to get their minds off the disruption of disease.
Chris and Suzanne look at the frame tale and five of their favourite stories, picking out some of the more interesting features of the book, enjoying how funny or sexy or strange the stories can be, and considering the work stories might do in a pandemic.
Show Notes.
Giovanni Boccaccio: The Decameron. [Bookshop. Gutenberg.]
We’re using the G.H. McWilliam translation, and we’re looking at these stories:
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2.7 Alatiel marries the King of Algarve, eventually
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3.1 Masetto tends to the gardens of a nunnery
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3.10 Alibech sends the Devil back to Hell
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10.9 Messer Torello shows hospitality to Saladin
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10.10 Griselda suffers her husband, the Marquis of Saluzzo
Decameron Web has lots of useful information, including some details about the Decameron manuscripts.
The autograph manuscript of the Decameron (i.e., in Boccaccio’s own handwriting).
A fully digitized Decameron manuscript from around 1400.
Some projects turning to the Decameron right now:
Next: Jane Austen, Emma. [Gutenberg. LibriVox. Bookshop.]
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